I initially trained in the Manipuri style. Then I learnt Bharat Natyam from my guru P L Raj, one of the leading choreographers of the time. Kathak followed this.
In my days, it was okay if the leading lady had two left feet and couldn't dance to save her life. It's no longer the same.
I am now leading a life of semi-retirement with my husband Salim who was by my side in my most difficult days.
ON CO-STARS...
Today's young girls are doing a brilliant job not only as actresses but also as dancers. Aishwarya and Karishma are talented actresses who also are brilliant dancers.
I also have great admiration for the late Ragini of the Travacore sisters Lalitha, Padmini and Ragini.
ON FILMS...
I have no problems with item numbers because it is necessary for everyone in the entertainment industry to keep pace with time.
But you can say that I am the one who introduced the cabaret and the belly dance in Indian films. I often had to dance with strikingly unusual props. For instance, in the Merchant-Ivory film BOMBAY TALKIE, I had to dance on the keys of a gigantic typewriter. Wigs, feathers, fluttering false eyelashes, plumes, gold paint, and everything you can think of formed part of my film wardrobe. For many years, I would wear a body stocking under the skimpy costumes.
TAKE IT FROM ME...
ON CO-STARS...
ON FILMS...
